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"Well, you didn't," says Mona. "Are you engaged to her?" "Of love generally?—no," with a disdainful glance,—"merely of your love of comfort." "May I not see Nicholas, if only for a moment?" she says, plaintively, gazing with entreaty at Geoffrey. At which Nicholas, hearing from within the voice that rings its changes on his heart from morn till eve, calls aloud to her,—.
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But when to-morrow comes it brings to him a very different Mona from the one he saw yesterday. A pale girl, with great large sombrous eyes and compressed lips, meets him, and places her hand in his without a word. "Good gracious! he can't mean that he is tired of her already," exclaims Mr. Darling, in an audible aside. "That would be too much even for our times." Overcome by the heat of the fire, her luncheon, and the blessed certainty that for this one day at least no one is to be admitted to her presence, Lady Rodney has given herself up a willing victim to the child Somnus. Her book—that amiable assistant of all those that court siestas—has fallen to the ground. Her cap is somewhat awry. Her mouth is partly open, and a snore—gentle, indeed, but distinct and unmistakable—comes from her patrician throat. "But do," goes on Violet, in her soft, even monotone, that is so exactly suited to her face. "It is rather pleasant thinking. Confession, you know, is so soothing; and then there are always the dear saints, with their delightful tales of roses and lilies, and tears that turn into drops of healing balm, and their bones that lie in little glass cases in the churches abroad. It is all so picturesque and pretty, like an Italian landscape. And it is so comfortable, too, to know that, no matter how naughty we may be here, we can still get to heaven at last by doing some great and charitable deed.".
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